Over the span of his illustrious five-decade career, George Benson has sold millions of records, performed for hundreds of millions of fans, and cut some of the most beloved jazz and soul tunes in music history. But the guitarist/vocalist is much more than "This Masquerade," "On Broadway," "Turn Your Love Around," and "Give Me the Night." Benson is a flat-out inspiration,
Over the span of his illustrious five-decade career, George Benson has sold millions of records, performed for hundreds of millions of fans, and cut some of the most beloved jazz and soul tunes in music history. But the guitarist/vocalist is much more than "This Masquerade," "On Broadway," "Turn Your Love Around," and "Give Me the Night." Benson is a flat-out inspiration, a multitalented artist who survived an impoverished childhood and molded himself into the first true—and truly successful—jazz/soul crossover artist. And now, on the heels of receiving the prestigious NEW Jazz Masters award, George has finally decided to tell his story. And what a story it is.
Benson: The Autobiography
follows George's remarkable rise from the ghettos of Pittsburgh to the stages of South Africa, and everywhere in between. George Benson is an unparalleled storyteller, and his tales of scuffling on the Chitlin Circuit with jazz legend Brother Jack McDuff, navigating his way through the recording studio with Miles Davis, and performing with the likes of Frank Sinatra, Tony Bennett, Stevie Wonder, Aretha Franklin, B.B. King, Quincy Jones, Benny Goodman, Rod Stewart, Chaka Khan, Count Basie, and Lou Rawls will enthrall devotees of both music history and pop culture.
A treat for serious listeners, hardcore guitar aficionados, and casual music followers alike, George's long-awaited book allows readers to meet the man who is one of the most beloved, prolific, and bestselling musicians of his or any other era.
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Hardcover
,
256 pages
Published
August 26th 2014
by Da Capo Press
(first published May 27th 2014)
In this book about George Benson, I found it to be a very interesting. I did not know that he was from Pittsburgh, PA. But he talks about his family life his mom and his step farther. He gave some credit to him for not only getting him interested in the guitar but also with the different jazz musicians. The different styles of jazz one person was Charlie Christian, he played in Benny Goodman’s band and with a few others before he passed at the age of 23 in 1941, but he left a lot of music. He go
In this book about George Benson, I found it to be a very interesting. I did not know that he was from Pittsburgh, PA. But he talks about his family life his mom and his step farther. He gave some credit to him for not only getting him interested in the guitar but also with the different jazz musicians. The different styles of jazz one person was Charlie Christian, he played in Benny Goodman’s band and with a few others before he passed at the age of 23 in 1941, but he left a lot of music. He goes on to talk about how by the time he was a teenager he was already playing in some clubs where he was not of age to drink. But he was always looking to make himself better. He would start playing with a band then they would move on to New York and then be back home again. Finally word spread in New York, like Pittsburgh and he was starting to get more jobs. He liked the idea of not being tied down to one band. But when Miles Davis called him could not say know. But like all of the other bands he was with it was only for a short time. After the sixties he had a few solo records but was still known for his work with other artists. He signed with CTI, known for jazz records he had a top seller in 74 with Bad Benson and two other records released later also were top sellers as well. By 75 he was with Warner Bros records, he was always looking to do his own record not be tied down by a producer who does not know music especially jazz. Then in 76 he released Breezin, this record was a huge hit and “This Masquerade” one the Grammy that year for record of the year. Still one of the best jazz records. He also did a PBS special with Benny Goodman, and he felt like he came full circle as a youngster listening to Charlie Christian play and now here he was playing in the same band. But after that he went on and is still making records or cds and still does concerts. A good story about a fantastic musician. I got this book from net galley.
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In this book, you learn the importance of the double diminished scale, developing hip substitute chords, and creative musical value of taking “the past to heart, then take it to the future!”. George tells a hugely instructive story about John Coltrane going to hear Charlie Parker for the first time and what happened afterwards that is worth the price of the book alone on page 96. George also teaches that playing with just bass and drums will make you find your own voice fast and jazz improv ends
In this book, you learn the importance of the double diminished scale, developing hip substitute chords, and creative musical value of taking “the past to heart, then take it to the future!”. George tells a hugely instructive story about John Coltrane going to hear Charlie Parker for the first time and what happened afterwards that is worth the price of the book alone on page 96. George also teaches that playing with just bass and drums will make you find your own voice fast and jazz improv ends up just playing what is in your head and heart reflecting what you are processing. When you practice a lot you will only remember 10% of whatever you are working on but by practicing more things you have more ideas when you are soloing. The only way to understand a song is to experiment and play with it. This book could have been a lot more instructive, since I’ve mentioned basically all I learned from it besides learning more facts of his life story, but I still give it four stars.
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One of the most tasteful autobiographies that I've read. Jazz guitarist George Benson wastes no time in over-detailed descriptions about second and third parties and even himself. Benson gives us only what we need to know; where he grew up, his influences, and how he navigated the music business to finally achieving a huge hit album (Breezin') that launched him into stratospheric heights. Benson is not a book about who-slept-with-who or how-many-drugs-I-did-before-I-hit-rock-bottom. Benson is al
One of the most tasteful autobiographies that I've read. Jazz guitarist George Benson wastes no time in over-detailed descriptions about second and third parties and even himself. Benson gives us only what we need to know; where he grew up, his influences, and how he navigated the music business to finally achieving a huge hit album (Breezin') that launched him into stratospheric heights. Benson is not a book about who-slept-with-who or how-many-drugs-I-did-before-I-hit-rock-bottom. Benson is all about the music.
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Before reading this book, I had never watched an interview with George Benson. I certainly knew who he was and had heard his music, but I had never heard him talk. Singing and playing don't count. But with the way this autobiography is written, I feel like I can "hear" Benson and he sounds like one of my uncles. He refers to people as "cats" and frequently includes the adjective "baaaaad" to describe a particularly good musician. While I greatly appreciate all of the details about music included
Before reading this book, I had never watched an interview with George Benson. I certainly knew who he was and had heard his music, but I had never heard him talk. Singing and playing don't count. But with the way this autobiography is written, I feel like I can "hear" Benson and he sounds like one of my uncles. He refers to people as "cats" and frequently includes the adjective "baaaaad" to describe a particularly good musician. While I greatly appreciate all of the details about music included in this memoir, the lack of details about family life is troubling. I suppose for a musician who spends a lot of time on the road, perhaps Benson did not spend oodles of time with family. He only mentions his son in a vital newborn moment. However, he very briefly mentions a domestic violence dispute (he laid hands on his wife as a very young man) and his heroic efforts to keep his son alive. His son had a disease that madehis chances for living very slim. In the book, Benson noted that not only did his son live as a newborn, but he lived for another "thirty something years." Thirty something? You don't know how long your son lived his evidently brief life? I looked it up myself and found that his son was shot to death at 29 years old outside of a bar. There was literally no page space devoted to that tragedy. That's weird and gross not to mention such a thing. For all of those things, this is a book I can only "like."
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I love the song "On Broadway" but I'm not a real fan of Jazz but after reading this book I want to be. My only complaint is there is very little mentioned about his family except for his mother, stepfather and a little about a son who was ill as a child.
This is a terrific autobiography! A must read for Benson fans for sure. Well written, fast paced, and thorough. If you are a music lover, jazz aficionado, guitarist, or just someone who appreciates a good autobiography - check this one out.
Not much of a personal memoir, but a perfect recap of a great career working with Miles Davis Benny Goodman, Quincy Jones, Creed Taylor, Herbie Hancock and Wes Montgomery(!) among many others.