When i went to London I wanted to get something so 'English' that it would put a stamp on my head that I was on this great island. What I bought was Kenneth Williams' autobiography, who is basically totally unknown in this country. I know his name via the diaries of Joe Orton (worth ten points alone) and that he was in the 'Carry On" series. Which I gather never played in the U.S.
This was something like bangers and Mash, or a deep appreciation of music like the Kinks' Village Green Preservation
When i went to London I wanted to get something so 'English' that it would put a stamp on my head that I was on this great island. What I bought was Kenneth Williams' autobiography, who is basically totally unknown in this country. I know his name via the diaries of Joe Orton (worth ten points alone) and that he was in the 'Carry On" series. Which I gather never played in the U.S.
This was something like bangers and Mash, or a deep appreciation of music like the Kinks' Village Green Preservation Society album (which by the way is the greatest pop album ever). Anywho I became sort of obsessed with Kenneth Williams, because I felt he was the secret key that opened up Briitsh pop culture from the late 50's to the 70''s. And the fact that he is sort of a walking 'Morrissey' reference type of character makes it a must. Oh, and the book is good!
...more
Kenneth Williams tells (almost) all about his life and career, from being called up in World War II, to his beginning on the stage, and his success in cabaret...and, of course, the Carry On films.
An easy read, you find yourself being drawn into the worlds Kenneth Williams inhabited. The cover photograph shows a tantalizing glimpse of his famous diaries, which were later edited by Russell Davies and published in the early 90s.
The delightful nasal whine of Kenneth Williams resonates throughout this book, which is full of amusing, and sometimes pathetic, anecdotes of his career. A light-hearted autobiography that is gentle on the reader who is definitely not inclined to shout, "Ah, stop messing about!"
Kenneth Williams was an English comic actor and comedian, star of 26 Carry On films, numerous British television shows, and radio comedies with Tony Hancock and Kenneth Horne.
His professional career began in 1948 in repertory theatre. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the Dauphin in Geo
Kenneth Williams was an English comic actor and comedian, star of 26 Carry On films, numerous British television shows, and radio comedies with Tony Hancock and Kenneth Horne.
His professional career began in 1948 in repertory theatre. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the Dauphin in George Bernard Shaw's St Joan in 1954 by radio producer Dennis Main Wilson. Main Wilson was casting Hancock's Half Hour, a radio series starring Tony Hancock. Playing mostly funny voice roles, Williams stayed in the series almost to the end, five years later. His nasal, whiny, camp-cockney inflections (epitomised in his "Stop messing about...!" catchphrase) became popular with listeners.
He joined Kenneth Horne in Beyond Our Ken (1958–1964), and its sequel, Round the Horne (1965–1968). His roles in Round the Horne included Rambling Syd Rumpo, the eccentric folk singer; Dr Chou En Ginsberg, MA (failed), Oriental criminal mastermind; J. Peasemold Gruntfuttock, telephone heavy breather and dirty old man; and Sandy of the camp couple Julian and Sandy (Julian was played by Hugh Paddick). Their double act was notable for double entendres and Polari, the homosexual slang.
Williams worked regularly in British film during the 1960s and 1970s, mainly in the Carry On series (1958–1978) with its British double entendre-laced humour. He appeared in the series more than any other actor. He often criticised Carry On films, his own performances and those of others, considering them beneath him. Despite this, he spoke fondly of the Carry On films in interviews. Peter Rogers, producer of the series, recollected, "Kenneth was worth taking care of because, while he cost very little – £5,000 a film, he made a great deal of money for the franchise."
Williams was a regular on the BBC radio panel game Just a Minute from its second season in 1968 until his death. On television he was a frequent contributor to the 1973-1974 revival of What's My Line?, hosted the weekly entertainment show International Cabaret and was a reader for the children's story-reading series Jackanory on BBC1. He appeared on Michael Parkinson's chat show on eight occasions, during which he told anecdotes from his career. Williams was a stand-in host on the Wogan talk show in 1986.
...more