Tony Allen
is the autobiography of legendary Nigerian drummer Tony Allen, the rhythmic engine of Fela Kuti's Afrobeat. Conversational, inviting, and packed with telling anecdotes, Allen's memoir is based on hundreds of hours of interviews with the musician and scholar Michael E. Veal. It spans Allen's early years and career playing highlife music in Lagos; his fifteen year
Tony Allen
is the autobiography of legendary Nigerian drummer Tony Allen, the rhythmic engine of Fela Kuti's Afrobeat. Conversational, inviting, and packed with telling anecdotes, Allen's memoir is based on hundreds of hours of interviews with the musician and scholar Michael E. Veal. It spans Allen's early years and career playing highlife music in Lagos; his fifteen years with Fela, from 1964 until 1979; his struggles to form his own bands in Nigeria; and his emigration to France.Allen embraced the drum set, rather than African handheld drums, early in his career, when drum kits were relatively rare in Africa. His story conveys a love of his craft along with the specifics of his practice. It also provides invaluable firsthand accounts of the explosive creativity in postcolonial African music, and the personal and artistic dynamics in Fela's Koola Lobitos and Africa 70, two of the greatest bands to ever play African music.
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Paperback
,
240 pages
Published
September 27th 2013
by Duke University Press Books
(first published January 1st 2013)
Given that Tony Allen is one of my idols and I have been lucky enough to see him perform twice in relatively intimate venues, I was very excited to read this book.
Unfortunately I was quite disappointed.
In his introduction, Michael Veal lets the reader know the Tony is a great storyteller and that the book is in his words from these stories, but what he doesn't tell you is that the book feels like it has little to know editing. It often felt rambling, and long stretches are not much more than lis
Given that Tony Allen is one of my idols and I have been lucky enough to see him perform twice in relatively intimate venues, I was very excited to read this book.
Unfortunately I was quite disappointed.
In his introduction, Michael Veal lets the reader know the Tony is a great storyteller and that the book is in his words from these stories, but what he doesn't tell you is that the book feels like it has little to know editing. It often felt rambling, and long stretches are not much more than lists of bands and the people in them. On the one hand it was good to get a glimpse at the music that helped form Allen (and Fela), but it was near impossible to know how much to care about any of these people and commit them to memory.
A stronger co-author/editor who exerted more of their voice would have done this book a world of difference.
All of that being said, if you are as big a fan of Allen as I am, this is a must read.
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Great book. Fun to read if you are a Tony Allen fan and familiar with his musical work. Book contains a few drumming tips, but his story is inspiring, at times funny, and also informative about afrobeat music.
a fairly boring read in the end, bit of a shame. The same things over and over and not a whole heap of insight. But then, as wonderful as he is as a player he is just a sideman really; always has been - and that's where his best work remains.
Tony Allen is a great drummer, but rather dull as a memoirist. Veal's introduction is good though, and I learned more about the Nigerian music world during the time.