A glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, filmmaker Alejandro Jodorowsky
• Retraces the spiritual and mystical path Jodorowsky has followed since childhood, vividly repainting events from the perspective of an unleashed imagination
• Explores the development of the author’s psychomagic and metagenealogy practices vi
A glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, filmmaker Alejandro Jodorowsky
• Retraces the spiritual and mystical path Jodorowsky has followed since childhood, vividly repainting events from the perspective of an unleashed imagination
• Explores the development of the author’s psychomagic and metagenealogy practices via his realization that all problems are rooted in the family tree
• Includes photos from Jodorowsky’s appearance at the 2013 Cannes Film Festival and from the film based on this book, which debuted at Cannes
Retracing the spiritual and mystical path he has followed since childhood, Alejandro Jodorowsky re-creates the incredible adventure of his life as an artist, filmmaker, writer, and therapist--all stages on his quest to push back the boundaries of both imagination and reason.
Not a traditional autobiography composed of a chronological recounting of memories,
The Dance of Reality
repaints events from Jodorowsky’s life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky’s realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual’s road to true fulfillment means casting off the phantoms projected by parents on their children.
The Dance of Reality
is autobiography as an act of healing. Through the retelling of his own life, the author shows we do not start off with our own personalities, they are given to us by one or more members of our family tree. To be born into a family, Jodorowsky says, is to be possessed. To peer back into our past is equivalent to digging into our own souls. If we can dig deep enough, beyond familial projections, we shall find an inner light--a light that can help us through life’s most difficult tests.
Offering a glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time,
The Dance of Reality
is the book upon which Jodorowsky’s critically acclaimed 2013 Cannes Film Festival film of the same name was based.
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Chilean filmmaker/writer/performance-artist and "psychomagician" Alejandro Jodorowsky may be a genuine wise man/shaman or he may be a narcissistic charlatan but he's definitely an original. One thing for sure, he has perfected the ability of living every moment of life as a passionate, committed artist. "Dance of Reality" is alternately, wise, flaky, moving, irritating, profoundly odd and often laugh-out-loud funny.
It was his deadpan sense of humour that got me through the eye-roll-inducing sect
Chilean filmmaker/writer/performance-artist and "psychomagician" Alejandro Jodorowsky may be a genuine wise man/shaman or he may be a narcissistic charlatan but he's definitely an original. One thing for sure, he has perfected the ability of living every moment of life as a passionate, committed artist. "Dance of Reality" is alternately, wise, flaky, moving, irritating, profoundly odd and often laugh-out-loud funny.
It was his deadpan sense of humour that got me through the eye-roll-inducing sections of this very strange book. For instance this passage in which he describes accidentally walking in on poet Andre Breton on the toilet:
"The scene had lasted only a few seconds, but I had committed sacrilege by seeing the exquisite poet shitting. Would it be forgiven someday? Doubting so, I decided to emigrate to Mexico".
I really enjoyed this. The film of the same name adapts only the first of nine chapters, there's a LOT more here. Fans of Moebius may enjoy the detailed description of a magical ritual designed to help them complete 'The Incal' toward the end of the book.
This book is the best of all of Jodorowsky's writing that I've encountered thus far. I loved its mix of autobiography (including his usual hilarious, insane, and wild anecdotes about all the craziness he got up to) as well as his theories on therapy, shamanism, healing, and lucid dreaming. It's mystical without being woo-woo, and woo-woo without being overly credulous. Thrilling, funny, and heart-opening all at once.
Better known for his surreal films
El Topo
and
The Holy Mountain
filmed in the early 1970s, Alejandro Jodorowsky is also an accomplished writer of graphic novels and a psychotherapist. He developed Psychomagic, a combination of psychotherapy and shamanic magic. His fans have included John Lennon and Marilyn Manson.
“This fear of dying would haunt me for the next forty years. It was an anguish that drove me to travel the world studying religions, magic, esotericism, alchemy, and the Kabbalah. It drove me to frequent initiatory groups, to meditate in the style of numerous schools, to seek out teachers, and in short wherever I went to search without limits for something that might console me in light of my transient existence. If I did not conquer death how could I live, create, love, prosper? I felt separated not only from the world but also from life. Those who thought they knew me only knew the makeup on a corpse. During those excruciating years, all the works I accomplished, as well as all my love affairs, were anesthetics to help me bear the anguish that gnawed at my soul. But in the depths of my being, in a hazy kind of way, I knew that this state of permanent agony was a disease that I had to cure by becoming my own therapist. At its heart, this was not about finding a magic potion to keep me from dying, but above all about learning to die with happiness.”
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“I had to first overcome the nightmares: my dreams were populated by menaces, shadows, murderous persecutions, disgusting events and objects, ambiguous sexual relations that excited me while also making me feel guilty. Here, I was a character inferior to my level of consciousness in the real world, capable of misdeeds that I would never have allowed myself to perpetrate while awake. I repeated many times, like a litany, “It is I who dream, just as it is I who am awake, and not a perverse and vulnerable child. The dreams happen in me; they are part of me. All that appears is myself. These monsters are aspects of me that have not been resolved. They are not my enemies. The subconscious is my ally. I must confront the terrible images and transform them.” I often had the same nightmare: I was in a desert, and a psychic entity determined to destroy me would come from the horizon as a huge cloud of negativity. I would wake up screaming and soaked in sweat. Now, tired of this undignified flight, I decided to offer myself in sacrifice. At the climax of the dream, in a state of lucid terror, I said, “Enough, I will stop wanting to wake up! Abomination, destroy me!” The entity approached threateningly. I stood still, calm. Then, the immense threat dissolved. I woke up for a few seconds, then peacefully went back to sleep. I realized it was I myself who had fed my terrors. I now knew that what terrifies us loses all its power in the moment that we stop fighting it. I began a long period during which whenever I had dreams, instead of running I would face my enemies and ask them what they wanted to tell me. Gradually, the images transformed before me and began to offer me presents: sometimes a ring, other times a golden sphere or a pair of keys. I now understood that just as every devil is a fallen angel, every angel is also a demon that has risen.”
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