James Galway may be one of the best flautists in the world, but the problem is, that he knows it! In spite of his genial persona which I remember from his TV show, this early autobiography, written at the height of his popularity, makes him sound like a particularly selfish and self-centred person. The stories about his childhood are interesting and amusing, but his telling of the story is exceptionally self-centred, and while he claims to realise that he has made mistakes in his life and the wa
James Galway may be one of the best flautists in the world, but the problem is, that he knows it! In spite of his genial persona which I remember from his TV show, this early autobiography, written at the height of his popularity, makes him sound like a particularly selfish and self-centred person. The stories about his childhood are interesting and amusing, but his telling of the story is exceptionally self-centred, and while he claims to realise that he has made mistakes in his life and the way he treated people, and that an accident has changed him for the better, the way he tells the story of his life makes it sound as if he's only saying that because he thinks he ought to.
Nevertheless, James Galway did inspire a love of the flute for a whole generation of players, and he's probably the reason that I decided to learn it. If only I'd taken it up as a child instead of waiting until I was middle-aged, who knows how good I might have become! What does emerge from Galway's story is the fact that he had a natural talent, grew up in a poor but musical area and was encouraged by his parents, his father in particular, to pursue his dream. It was his dedication to practising, developing his own style and learning from others which made him the virtuoso he is, and his single-minded and somewhat pig-headed desire to do it his own way, even if that meant disagreeing with his teachers and conductors, that lead to him becoming the first person with a career as a flute soloist and virtuoso on a par with famous pianists and violinist. It also provides some of James Galway's philosophy about playing the flute, which is interesting to those of us who play, including the fact that he thinks expression is more important than perfection, and listening to others playing a piece of music is a good way of learning.
This is not the best autobiography I have ever read, and there was a tendency to name-drop, but it was entertaining and interesting to read about somebody who would have been my hero if only I'd taken up the flute way back when. There is another, later autobiography, called
The Man with the Golden Flute: Sir James, a Celtic Minstrel
which updates this autobiography. I think I would rather listen to more of his music than read more of his writing. I particularly love his 'Songs of the Seashore', which I used as relaxation music when I was pregnant, so is quite probably the first music my children ever heard. Beautiful.
Really enjoyed reading a biography again. And yes it was a good read. Great to see how talent will always shine through the hardships of poverty. No one can deny the greatness of James Galway and nor has James. Nonetheless I really enjoyed reading about his family and friends. James has an easy reading style. Nothing was to complicated and while he amply illustrated his obsession with playing his flute he did not get us bogged down in the music itself, for a music illiterate I really enjoyed the
Really enjoyed reading a biography again. And yes it was a good read. Great to see how talent will always shine through the hardships of poverty. No one can deny the greatness of James Galway and nor has James. Nonetheless I really enjoyed reading about his family and friends. James has an easy reading style. Nothing was to complicated and while he amply illustrated his obsession with playing his flute he did not get us bogged down in the music itself, for a music illiterate I really enjoyed the story without technical jargon. This book has placed biographies back on my future bookshelf.
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