J ill Ker Conway, one of our most admiredautobiographers--author of The Road from Coorain and True North--looks astutely and with feeling into the modern memoir: the forms and styles it assumes, and the strikingly different ways in which men and women respectively tend to understand and present their lives.
In a narrative rich with evocations of memoirists over the centurie
J ill Ker Conway, one of our most admired autobiographers--author of The Road from Coorain and True North--looks astutely and with feeling into the modern memoir: the forms and styles it assumes, and the strikingly different ways in which men and women respectively tend to understand and present their lives.
In a narrative rich with evocations of memoirists over the centuries--from Jean-Jacques Rousseau and George Sand to W. E. B. Du Bois, Virginia Woolf, Frank McCourt and Katharine Graham--the author suggests why it is that we are so drawn to the reading of autobiography, and she illuminates the cultural assumptions behind the ways in which we talk about ourselves.
Conway traces the narrative patterns typically found in autobiographies by men to the tale of the classical Greek hero and his epic journey of adventure. She shows how this configuration evolved, in memoirs, into the passionate romantic struggling against the conventions of society, into the frontier hero battling the wilderness, into self-made men overcoming economic obstacles to create an invention or a fortune--or, more recently, into a quest for meaning, for an understandable past, for an ethnic identity.
In contrast, she sees the designs that women commonly employ for their memoirs as evolving from the writings of the mystics--such as Dame Julian of Norwich or St. Teresa of Avila--about their relationship with an all-powerful God. As against the male autobiographer's expectation of power over his fate, we see the woman memoirist again and again believing that she lacks command of her destiny, and tending to censor her own story.
Throughout, Conway underlines the memoir's magic quality of allowing us to enter another human being's life and mind--and how this experience enlarges and instructs our own lives.
Feminist literary theory that, while exceptionally lucid and well argued, left with me a feeling of "and so?" Perhaps I'm too deeply immersed in this field and the idea of agency - choosing one's life - to appreciate the scholarship. I did read the book avidly and quickly, and I loved each summary of the various lives.
This is an inspiring book, that approaches memoir not just as an intellectual exercise but as a way to exert ownership over your life. I particularly liked her interpretations of memoirs i've recently read, such as The Liar's Club.
I was taken aback by the opening sentence; "Why is autobiography the most popular form of fiction for modern readers?" Fiction? But I continued because the author is obviously erudite. Then on page 6 the author writes, "When, for instance, we encounter a world of arranged marriages, we see the Western conventions of romantic love differently and begin to ask ourselves where those romantic feelings come from. . ." so far so good in my opinion, "since in another culture they simply do not occur."
I was taken aback by the opening sentence; "Why is autobiography the most popular form of fiction for modern readers?" Fiction? But I continued because the author is obviously erudite. Then on page 6 the author writes, "When, for instance, we encounter a world of arranged marriages, we see the Western conventions of romantic love differently and begin to ask ourselves where those romantic feelings come from. . ." so far so good in my opinion, "since in another culture they simply do not occur." Oh really? Cite your sources please. The author has a lot of good things to say but I kept stumbling over unsubstantiated statements.
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In depth study of writing memoir and the memoirs that started the genre. I found many insights that will have to be explored in more detail and enjoyed the commentary of what is out there, how we got to where we are, and where we may be going in telling our stories. Very useful and informative. I'll be reading this again and keeping it in my library as reference.
Jill Ker Conway, AC (born 9 October 1934) is an Australian-American author. Well known for her autobiographies, in particular her first memoir, The Road from Coorain. She was also Smith College's first woman president, from 1975–1985, and now serves as a Visiting Professor at the Massachusetts Institute of Technology. In 2004 she was designated a Women's History Month Honoree by the National Women
Jill Ker Conway, AC (born 9 October 1934) is an Australian-American author. Well known for her autobiographies, in particular her first memoir, The Road from Coorain. She was also Smith College's first woman president, from 1975–1985, and now serves as a Visiting Professor at the Massachusetts Institute of Technology. In 2004 she was designated a Women's History Month Honoree by the National Women's History Project.