W. C. Handy's blues—“Memphis Blues," "Beale Street Blues," "St. Louis Blues"—changed America's music forever. In
Father of the Blues,
Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith,
W. C. Handy's blues—“Memphis Blues," "Beale Street Blues," "St. Louis Blues"—changed America's music forever. In
Father of the Blues,
Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theater. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South; his days in minstrel shows, and then in his own band; how he made his first $100 from "Memphis Blues"; how his orchestra came to grief with the First World War; his successful career in New York as publisher and song writer; his association with the literati of the Harlem Renaissance.Handy's remarkable tale—pervaded with his unique personality and humor—reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.
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Paperback
,
340 pages
Published
March 22nd 1991
by Da Capo Press
(first published February 1985)
Some of the stories, particularly of Handy's life before he hit the big time, are interesting and told with a fine sense of humor. The chapter with Handy's take on ASCAP and copyright law circa 1940 was interesting also. Other parts of the book ramble on listing performers & music I've never heard of.
Handy's attitude toward black vs. white performers of the blues and his disdain for swing make for slightly uncomfortable reading. I also find it odd that he talks about how you can't feel it if
Some of the stories, particularly of Handy's life before he hit the big time, are interesting and told with a fine sense of humor. The chapter with Handy's take on ASCAP and copyright law circa 1940 was interesting also. Other parts of the book ramble on listing performers & music I've never heard of.
Handy's attitude toward black vs. white performers of the blues and his disdain for swing make for slightly uncomfortable reading. I also find it odd that he talks about how you can't feel it if you haven't lived it, yet most of the performances he talks about are of orchestras or bands playing from musical scores, not self taught musicians playing their own songs or bands playing head arrangements.
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As someone who lives in Florence, AL, it was incredibly moving to read Mr. Handy's account on his life growing up in the area. It's amazing to know that he walked down the same downtown city streets that I do today. The writing is entertaining and honest. I would encourage anyone with a curiosity about Mr. Handy's life or the history of blues music to read this book.
There is value in the first person recount of an important phase of american music. But all too often Handy descends into listing artists and events without giving much attention to the world around them.