Before Boy George, Phranc, Falling James, Marilyn Manson and various other gender-benders, there was Wayne/Jayne County (there were also the New York Dolls, but, as they were hetero boys in drag, they will be raved about elsewhere...).
Sadly, Wayne/Jayne spent many years out of the spotlight, since, despite three classic albums (and lesser ones on the dancey side that I have not located), s/he had no chart success, being 'ahead of her time'. Fortunately, s/he is making a comeback, what with the r
Before Boy George, Phranc, Falling James, Marilyn Manson and various other gender-benders, there was Wayne/Jayne County (there were also the New York Dolls, but, as they were hetero boys in drag, they will be raved about elsewhere...).
Sadly, Wayne/Jayne spent many years out of the spotlight, since, despite three classic albums (and lesser ones on the dancey side that I have not located), s/he had no chart success, being 'ahead of her time'. Fortunately, s/he is making a comeback, what with the release of a best-of (reviewed in Things That Spin), a new album ("Deviation", and pretty good) and this autobiography.
She was born in Dallas, Georgia, around 1947, as Wayne Rogers. Despite being a popular plaything for the het boys in her hometown, she was very unhappy in her poor, religiously fanatical family and fled for a variety of big cities. The book is stuffed with examples of her adventures in Atlanta and New York, including a role in the Stonewall Riots.
She happened to come to the attention of the Warhol camp and went to England to star in Pork (having written and/or starred in NYC plays with the likes of Patti Smith), arriving in time to see some of the beginning alternative music movement there. As a fan of protopunk (i.e. the Velvets, Electric Prunes, etc.) from way back, and a columnist for Rock Scene, she decided to get involved herself.
After a disastrous managerial flirtation with David Bowie's Mainman company (and a creepy attempt at flirtation by Bowie that is described in the book), she set out on her own with bands The Backstreet Boys (no, not them) and Electric Chairs, combining garage rock/punk riffs with musings on sex, men, religion and politics, and the rest was herstory.
For such a short book, it is simply packed with attitude and information. For punk fans, any and all queers (especially those who think queens are a liability) and those who don't fit in, it is an absorbing read.
An undisputed inspiration to iconic glam rockers like David Bowie, Adam Ant and Dead or Alive’s Pete Burns (all of whom regularly attended Jayne’s shows during their early careers), Wayne made the transition to Jayne in full view of her peers, and Man Enough to Be a Woman charts the highs and lows it involved with her trademark charismatic candour, including resorting to prostitution in London and Berlin and nervous breakdowns caused by a combination of hormone treatments, drug abuse and exhaust
An undisputed inspiration to iconic glam rockers like David Bowie, Adam Ant and Dead or Alive’s Pete Burns (all of whom regularly attended Jayne’s shows during their early careers), Wayne made the transition to Jayne in full view of her peers, and Man Enough to Be a Woman charts the highs and lows it involved with her trademark charismatic candour, including resorting to prostitution in London and Berlin and nervous breakdowns caused by a combination of hormone treatments, drug abuse and exhaustion.
Whilst Jayne recognises that her undeniable legacy and influence is largely unacknowledged today compared to that of her numerous internationally-known peers and collaborators, Man Enough to Be a Woman never comes across as bitter. Jayne is an acidic, fierce and funny narrator, combining heartfelt but straight-talking sincerity about the complex subjects of gender and identity intertwined with scandalous asides about everyone from Lou Reed to the Ramones to Johnny Rotten (for example: “One of the waitresses at Max’s was this really trashy blonde with too much make-up, who was always stoned and dropping cheeseburgers in people’s laps. Her name was Debbie Harry.”)
Sort of a catchy enough read, though not especially well-written. I started reading this on my pal Zoe's recommendation because she said it had some great details about what it was like growing up young and queer in the deep south during the early '60s, and somewhat reluctantly trudged through the rest of the book. I'm not a musical fan of Jayne County's, though I'm happy she existed and did what she did, and there are much better histories of the NYC and London punk scenes than this. As well, I
Sort of a catchy enough read, though not especially well-written. I started reading this on my pal Zoe's recommendation because she said it had some great details about what it was like growing up young and queer in the deep south during the early '60s, and somewhat reluctantly trudged through the rest of the book. I'm not a musical fan of Jayne County's, though I'm happy she existed and did what she did, and there are much better histories of the NYC and London punk scenes than this. As well, I was reading this at the same time as Quentin Crisp's delightful
The Naked Civil Servant
, which is infinitely witty and charming on every page, so the plainness of the writing really stuck out. That said, there's interesting-enough details about the queer and trans scenes in New York, London, and Berlin during the 60s, 70s, and 80s to keep you reading if that interests you (as it does me). Lots of details on the minutia of County's musical career, which doesn't interest me much, as doesn't the inevitable and predictable drama of many boyfriends and lovers. But descriptions of the scenes at the times are priceless. Not so cool is the sort of amoral sefishness that sometimes lurks behind deep camp, as displayed when County describes crossing a picket line at her workplace in NYC in the sixties and thinks she can excuse that by noting how fabulous she looked doing it. It's very much a product of who she is and was-- not necessarily the first person I'd want to hang out with. But having had an interesting enough life, she's worth spending a few minutes with for the sake of her stories.
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The first time I ever read about Wayne/Jayne County, I must have been around 12 years old. I was reading an interview with Kiss' Gene Simmons and he mentioned that at one of Kiss' earliest gigs in NYC, one of the acts on the bill, Wayne County and the Backstreet Boys, featured a lead singer who dressed in drag and ate dog food out of a toilet bowl while performing a song called "Toilet Love." . At the time I thought, "Eeeewww!"
Fast forward many years, and as my fascination with the New York City
The first time I ever read about Wayne/Jayne County, I must have been around 12 years old. I was reading an interview with Kiss' Gene Simmons and he mentioned that at one of Kiss' earliest gigs in NYC, one of the acts on the bill, Wayne County and the Backstreet Boys, featured a lead singer who dressed in drag and ate dog food out of a toilet bowl while performing a song called "Toilet Love." . At the time I thought, "Eeeewww!"
Fast forward many years, and as my fascination with the New York City punk rock scene of the 70's continued to grow, so too does my interest in Wayne County. Seems he was there at the Stonewall Riots in the summer of '69. Seems (s)he was the house DJ at Max's Kansas City. Seems like his/her bands the Backstreet Boys and the Electric Chairs actually produced some fierce rock and roll of their own. And then I eventually learned (s)he'd penned a (too short!) autobiography titled "Man Enough To Be A Woman." I had to track down a copy of this book and fast.
This is the story of how Wayne Rogers escaped a religious upbringing in rural Georgia and travelled to New York City and befriended a young photographer named Leee Black Childers, started hanging with Jackie Curtis, Holly Woodlawn, Candy Darling and other members of the Warhol crowd in the back room at Max's Kansas City, acting in a few theatrical productions along the way and transformed himself into (first) Wayne County (and eventualy) Jayne County - underground superstar of the then-in-it's- infantcy New York punk scene.
Wayne's story takes him from small-town Georgia in the late 1960's to the gritty streets of 1970's New York City and from there to the seedier side of London's punk underground and then to Berlin, Germany where (s)he resided for several years during the 80's before eventually moving back to New York City, all the while creating contoversial music and art and a persona that to this day remains singularly unique in the history of rock and roll.
i think this book changed my life - miss county quickly became my heroine even only after a few pages. i could not put the book down until i'd finished it. besides, no one else has mentioned pat butcher, divine and john peel in any one book i'd ever read previously and jayne knowing them was for me impressive enough!
if i could go back in time i'd like to wreck atlanta town in (her best friend at the time) miss cocks' convertible with a teenage jayne.
"miss cocks called it wrecking. that's what s
i think this book changed my life - miss county quickly became my heroine even only after a few pages. i could not put the book down until i'd finished it. besides, no one else has mentioned pat butcher, divine and john peel in any one book i'd ever read previously and jayne knowing them was for me impressive enough!
if i could go back in time i'd like to wreck atlanta town in (her best friend at the time) miss cocks' convertible with a teenage jayne.
"miss cocks called it wrecking. that's what screaming queens would do: go out wrecking people's nerves....we'd walk into the men's room, and all the men would be standing there peeing, and we'd throw our arms in the air and scream 'wooooooh!'.."
Jayne County was originally Wayne County whose band performed often at Max's Kansas Cityin the 70's-80's. "Toilet Love" is still on my play list....
Here's the review:
The original rock 'n' roll drag queen, Jayne County has worked with Andy Warhol, David Bowie, Derek Jarman and others. This free-wheeling autobiography is a shameless account of Jayne's gender-bending career, from her early days in Georgia to her current 1990s renaissance.
I love strong people, I love misfits, nerds, freaks and the troubled.
A book about the life of a rock and roll drag queen was right up my alley. All the glitter and glamor of the early New York punk scene dished out by a sassy queen. No spoilers just read the book. The photos are entertaining.
An rare glimpse into the world of Wayne Rogers who at an early age is more comfortable being a woman and morphs into Wayne county and later Jayne County. Jaynes book chronicles her adventures of being a queen on the streets of Atlanta and her journey into the punk rock world of New York.
Jayne County started life as Wayne Rogers. This autobiography is a fascinating insight her life, and a very interesting read for a 'straight' into the mind and life of a transsexual.