Virginia Foster Durr is the daughter of a Presbyterian minister, and she was raised in Birmingham during the early years of this century. She attended Wellesley for two years, until her family’s circumstances made it impossible for her to continue. Virginia’s sister Josephine married Hugo Black; and in 1926 Virginia married a young lawyer named Clifford Durr. The Durrs mov
Virginia Foster Durr is the daughter of a Presbyterian minister, and she was raised in Birmingham during the early years of this century. She attended Wellesley for two years, until her family’s circumstances made it impossible for her to continue. Virginia’s sister Josephine married Hugo Black; and in 1926 Virginia married a young lawyer named Clifford Durr. The Durrs moved to Washington shortly after Roosevelt’s inauguration, and Clifford was one of the “bright young lawyers” whom the new president relied upon to draft the legislation establishing the New Deal. After World War II the Durrs moved to Denver, then to Montgomery, where Clifford became one of the few white lawyers to represent blacks in civil rights cases. During the Durrs’ Washington years Virginia had been active in the movement to abolish the poll tax and in to her liberal causes; and back in Montgomery, she shared Clifford’s commitment to the civil rights movement and served as an inspiration to liberals of both races.
Virginia Durr has succeeded in articulating the pleasures and the difficulties of growing up female in the vigorous young city of Birmingham; the broadening (and in some ways also restricting) of young women’s intellectual horizons and social life at Wellesley; and the excitement of the courtship and marriage of a proper young Southern girl of good family and poor circumstance. She brings to life the social and political climate of Washington during the New Deal and war years, where her close connection to Justice Black gave the Durrs access to people whom they might not have come to know otherwise. A victim of McCarthyism, Clifford returned with Virginia to Montgomery with no job and few prospects. Their decision to become engaged in the civil rights struggle was consistent with their lifelong commitment to follow their consciences, regardless of the social and economic consequences.
“Virginia Durr said it: there were three ways for a well brought-up young Southern white woman to go. She could be the actress, playing out the stereotype of the Southern belle. Gracious to ‘the colored help,’ flirtatious to her powerful father-in-law, and offering a sweet, winning smile to the world. In short, going with the wind. If she had a spark of independence or worse, creativity, she could go crazy—on the dark, shadowy street traveled by more than one Southern belle. Or she could be the rebel. She could step outside the magic circle, abandon privilege, and challenge this way of life. Ostracism, bruised of all sorts, and defamation would be her lot. Her reward would be a truly examined life. And a world she would otherwise never have known.” — from the Foreword by Studs Terkel
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Paperback
,
380 pages
Published
June 30th 1990
by Fire Ant Books
(first published 1985)
This book is a fascinating look at Southern politics during one of the most tumultuous times in American history. From the leftovers of slavery, to the midst of the Great Depression, to the Women's rights movement, to the end of the Civil Rights Movement, Virginia Durr weaves an interesting tale of her little part in it all. I really appreciate too, how she tells the story in such a southern way (using southern phrases, the rhythm in her words, and the name-dropping and a little story about each
This book is a fascinating look at Southern politics during one of the most tumultuous times in American history. From the leftovers of slavery, to the midst of the Great Depression, to the Women's rights movement, to the end of the Civil Rights Movement, Virginia Durr weaves an interesting tale of her little part in it all. I really appreciate too, how she tells the story in such a southern way (using southern phrases, the rhythm in her words, and the name-dropping and a little story about each person so that you can know them). I feel as if my great grandmother is sitting down to tell me a story.
Being from the south, I found it interesting the little off-hand remarks that she makes throughout the book that I'm not sure even she realizes the depth of the history behind some of them. For instance, I did not realize that the south was predominantly Democratic until Nixon and the "why" behind that is an interesting story itself. If her book was a wikipedia article, it would be so chock-full of links, the whole thing would be blue.
Sweet Jesus, what a life.
Virginia Foster Durr
spent her formative years in Alabama, attended school in the northeast, hobnobbed with everybody from Studs Terkel to Eleanor Roosevelt on Capitol Hill, and finally moved to Montgomery, AL, in 1951, soon before Rosa Parks refused to give up her seat on a city bus. All this while ceaselessly campaigning for progressive political and social causes, much to her family's dismay.
If the style of this book sounds conversational, that's because it is - it's
Sweet Jesus, what a life.
Virginia Foster Durr
spent her formative years in Alabama, attended school in the northeast, hobnobbed with everybody from Studs Terkel to Eleanor Roosevelt on Capitol Hill, and finally moved to Montgomery, AL, in 1951, soon before Rosa Parks refused to give up her seat on a city bus. All this while ceaselessly campaigning for progressive political and social causes, much to her family's dismay.
If the style of this book sounds conversational, that's because it is - it's compiled from extensive interviews with Durr. The result is not only a folksy, conversational autobiography from one of the raddest women to come out of Alabama, but it's also a first-hand account of so much 20th-century American history and politics. It drags at times, but don't try to rush through it; instead, take your time and enjoy making the connections throughout the juicy parts of the 20th century, from the first world war through the 1970s.
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In a world of instant fame and mass marketed champions, in short a world with more heroics than actually heroes,Virginia Foster Durr's exciting but modest account of a life lived through the crucial battles for human rights in Twentieth Century America will lift the reader above the din and allow him or her to experience history as it was and contemplate the world as it is today and the kind of true, everyday, simple and civil courage it takes to be kind and to be just. If more people read this
In a world of instant fame and mass marketed champions, in short a world with more heroics than actually heroes,Virginia Foster Durr's exciting but modest account of a life lived through the crucial battles for human rights in Twentieth Century America will lift the reader above the din and allow him or her to experience history as it was and contemplate the world as it is today and the kind of true, everyday, simple and civil courage it takes to be kind and to be just. If more people read this book and tried to be as good as the author tried to be, our world would be a better place.
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Fascinating autobiography of Virginia Foster Durr, whose Antebellum Southern heritage is transformed by her husband and her roles within the FDR Administration, life during the Great Depression and New Deal and personal involvement in the anti-communism movement in Washington DC in the 1940s and 50s and Civil Rights Movement in Alabama in the 1950s and 60s.
I'm still not sure how I would classify Virginia Foster Durr, but did find her life and stories riveting and the book does offer some interes
Fascinating autobiography of Virginia Foster Durr, whose Antebellum Southern heritage is transformed by her husband and her roles within the FDR Administration, life during the Great Depression and New Deal and personal involvement in the anti-communism movement in Washington DC in the 1940s and 50s and Civil Rights Movement in Alabama in the 1950s and 60s.
I'm still not sure how I would classify Virginia Foster Durr, but did find her life and stories riveting and the book does offer some interesting insight into life in the South in the 20th century.
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I was first read enchanted by this in college when I borrowed a copy from my bestie, who was taking a women's studies class. So it was a personal (re)discovery to find this book again. Before memoir became a modern genre, this is an old school autobiography told in with high southern charm, and the southern flair for storytelling. Along with Helen Keller's The Story of my Life and Coming of Age in Mississippi by Anne Moody, this book is one of my old school Southern faves.
This "autobiography" of civil rights and voting rights activist Virginia Durr was compiled from oral histories collected from her at two different times. As such it is somewhat "chatty" and choppy, but does one a good sense of who Virginia Durr was. She does not reveal much of her inner thoughts but her reactions to things and people over her life thru the the early 1970's. She lived until 1999 so much was missed.