I read this book, many years ago, and i try to get others to read it. I loved it back then, it was different from the other chicano literature i was reading, in fact it was never mentioned, but i found it and i thoroughly enjoyed it. Yeah, he is a big character, and his writing is ecstatic, and sometimes i do think it is better that
fear and loathing
, but its probably the mexican in me saying that, but i do recommend this book to others, i think the last chapter says a lot, it affected me very m
I read this book, many years ago, and i try to get others to read it. I loved it back then, it was different from the other chicano literature i was reading, in fact it was never mentioned, but i found it and i thoroughly enjoyed it. Yeah, he is a big character, and his writing is ecstatic, and sometimes i do think it is better that
fear and loathing
, but its probably the mexican in me saying that, but i do recommend this book to others, i think the last chapter says a lot, it affected me very much, when he goes to el paso and juarez, how he is not accepted by the whites in this country, and when he goes to mexico, he is not accepted by the browns over there, he ends up saying that he is at home, but no one wants him, so who or what does he call home?, or his family at that? its still the same today, nothings changed, i can't go into mexico without being called a pocho and i can't walk around up north without being called a wetback, but i'm trying acosta, i'm trying, you got me riled up and i am continuing this tradition, no one can shut me up, for i've been here for years, thank you senor, wherever you are, thank you.
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I found this book lying around in a dingy used book shop in Jammu and bought it for Rs. 30. Partly because I needed to know the story of The Great Brown Buffalo, but mostly out of the grief I felt for the state in which lay the autobiography of one of the most interesting characters the sixties managed to puke out. OSCAR ZETA ACOSTA! The infamous attorney Dr. Gonzo to Hunter S Thompson's Raoul Duke! Whom he gazed upon in complete awe and famously exclaimed “There he goes. One of God's own protot
I found this book lying around in a dingy used book shop in Jammu and bought it for Rs. 30. Partly because I needed to know the story of The Great Brown Buffalo, but mostly out of the grief I felt for the state in which lay the autobiography of one of the most interesting characters the sixties managed to puke out. OSCAR ZETA ACOSTA! The infamous attorney Dr. Gonzo to Hunter S Thompson's Raoul Duke! Whom he gazed upon in complete awe and famously exclaimed “There he goes. One of God's own prototypes. Some kind of high powered mutant never even considered for mass production. Too weird to live, and too rare to die.â€
This book drills a hole in the brown head of that crazy, schizophrenic and perpetually inebriated chicano lawyer and invites anyone (who dares) to take a look inside. And if you have the right kind of mind, you might even appreciate the twisted mechanisms in there driving this big Spanish hell-on-wheels. At the same time the book makes you shed a tear for the sad and lonely brown buffalo roaming the land in search for his identity and ultimately finding out he has none.
A book for any serious sixties counter-culture fiend. Drugs, sex, hippies, Hells Angels, Hunter Thompson, Tim Leary.. the whole package.
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the only book i will review, this book is important to me for reasons most people won't understand. it makes me proud of my culture as a CHICANO in america and gives me an identity i did not know i had. this book should be read by every mexican american, and appreciated because it is one of the most important books on the regards of chicano literature, also the revolt of the cockroach people is bad ass, another important book. Oscar Zeta Acosta is the shiiiittt!
I give this only 4 stars for other people, but for myself it's 5 and then some. This riveting account of coming of age in America as an outsider, an experimenter with life, a confused individual, is moving, honest and real as a punch in the gut. Reading it again after a couple decades this year, i was struck again about how the words connect to the realities. Most memoir, autobiography and self-opening writing skirts around things compared to this work. Acosta gets right to what makes people gro
I give this only 4 stars for other people, but for myself it's 5 and then some. This riveting account of coming of age in America as an outsider, an experimenter with life, a confused individual, is moving, honest and real as a punch in the gut. Reading it again after a couple decades this year, i was struck again about how the words connect to the realities. Most memoir, autobiography and self-opening writing skirts around things compared to this work. Acosta gets right to what makes people grow, change and end up where they are. Unsparing of himself, he delivers great scenes with direct dialogue, agonizing conflict and passion for life.
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Acosta was a lawyer and activist who played a prominent role in many events during the Chicano Movement in the late 1960s and early 1970s. This book is a semi-fictional account of his childhood and journey to political consciousness. It is also a record of the insanity and chaos of 60s counterculture. Acosta famously befriended the "gonzo" journalist Hunter S. Thompson, and was the model for Dr. Gonzo, the "Samoan" attorney in Thompson's novel Fear and Loathing in Las Vegas. Brown Buffalo is an
Acosta was a lawyer and activist who played a prominent role in many events during the Chicano Movement in the late 1960s and early 1970s. This book is a semi-fictional account of his childhood and journey to political consciousness. It is also a record of the insanity and chaos of 60s counterculture. Acosta famously befriended the "gonzo" journalist Hunter S. Thompson, and was the model for Dr. Gonzo, the "Samoan" attorney in Thompson's novel Fear and Loathing in Las Vegas. Brown Buffalo is an interesting take on that story from a very different angle.
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I don't quite know what to say about this book. There are a lot of different voices running through each chapter, bouncing through the pages with energy and urgency. And by a lot, I of course mean just one, that of Oscar Zeta Acosta, the self-proclaimed Brown Buffalo. Acosta is a Chicano. And from what I can gather from the many Chicanos in my own life, being a Chicano is emotionally confusing. One is both here and there, Mexican and American, Aztec and Spanish, traditional and nonconforming, as
I don't quite know what to say about this book. There are a lot of different voices running through each chapter, bouncing through the pages with energy and urgency. And by a lot, I of course mean just one, that of Oscar Zeta Acosta, the self-proclaimed Brown Buffalo. Acosta is a Chicano. And from what I can gather from the many Chicanos in my own life, being a Chicano is emotionally confusing. One is both here and there, Mexican and American, Aztec and Spanish, traditional and nonconforming, ashamed and proud...well, you get the point.
Acosta is many people and has many narrative voices. He is a mad mesh of Kerouac at his most urgent, Bukowski at his most belligerent, and H.Thompson at his most thoughtful. This is a manic tale of wandering, which has become a trademark theme of the 'counterculture' writers in the 1960s, but in this narrative, something feels different, and I think it largely has to do with Acosta being a Chicano. He is exceptionally lost in this world, and I feel empathy for Acosta that I simply don't feel for the Beat writers of his generation, who appear more pathetic than poetic. Acosta's voice is earnest, a man whose mind goes in thousands of directions, but whose aimlessness longs to be focussed and sharpened. And in his case, sharpened for a revolution. I was also surprised by Acosta's tenderness and vulnerability.
In the words of Hunter S. Thompson, "[Acosta] was too weird to live and too rare to die..."
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In The Autobiography of a Brown Buffalo, Acosta presents an account of his identity quest as a “Brown Buffalo,†traveling across the southwestern United States into Juarez, Mexico after rejecting his San Francisco identity as a lawyer. Acosta defines “Brown Buffalo†as an identity one chooses as a result of being neither a Mexican nor an American in the United States. According to Acosta, this identity is the solution for the future of Chicano representation in the 1960’s.
On his identity quest
In The Autobiography of a Brown Buffalo, Acosta presents an account of his identity quest as a “Brown Buffalo,†traveling across the southwestern United States into Juarez, Mexico after rejecting his San Francisco identity as a lawyer. Acosta defines “Brown Buffalo†as an identity one chooses as a result of being neither a Mexican nor an American in the United States. According to Acosta, this identity is the solution for the future of Chicano representation in the 1960’s.
On his identity quest, Acosta defines himself through many different categories of identity, including Chicano lawyer, football man, a drunk, a preacher, a mathematician, a musician, a Catholic, a Baptist preacher in Panama, whore-monger, son of Lorca, and Aztec indio from the mountains of Durango. He even identifies himself as Samoan when asked, turning his ethnic-racial background into a joke while simultaneously encouraging others to question normalized ethnic categories. The misogyny presented in this novel is a reflection of the machismo mentality bolstered by Chicanos in the resistance movements of the 1960’s that many Chicana writers such as Moraga and Anzaldua, hitherto ignored, would soon be contesting. In closing his novel, Oscar Zeta Acosta resolves his identity crisis in choosing a new identity as a writer and leader for the 1960’s and 1970’s Brown power revolutions of East L.A, fighting for the patriarchal La Raza movement.
As a social footnote to the Xicana/o movement in the late 60's and 70's this book has a larger than life feel to the story, nay legend, that was Oscar Zeta Acosta. Following his experiences as a Mexican-American youth in the Southwest, as well as beyond into his adolescence and eventual foray into the military, then as a lawyer for the under served in the San Francisco Bay Area.
I'd recommend this to anyone interested in this part of Latina/o history, as well as anyone who likes adventurous, humo
As a social footnote to the Xicana/o movement in the late 60's and 70's this book has a larger than life feel to the story, nay legend, that was Oscar Zeta Acosta. Following his experiences as a Mexican-American youth in the Southwest, as well as beyond into his adolescence and eventual foray into the military, then as a lawyer for the under served in the San Francisco Bay Area.
I'd recommend this to anyone interested in this part of Latina/o history, as well as anyone who likes adventurous, humorous and socially charged autobiographies. Fun fact, Acosta is played by Benicio del Toro in Fear and Loathing in Las Vegas film. This book is preceded by a short introduction by Hunter S. Thompson.
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An wild, unruly book. Oscar Acosta clears the hell out of Flower Power San Francisco and out onto the open road, flashing back to drug trips, his friends in low places , the daily hell of working poverty law, being among white hippies, and the violence of his poor Mexican upbringing. He doesn't spare you his ulcers, his bodily functions, or what he thinks of his fat, brown body. Some of the writing about women and his heartbreak is wince-worthy. And some of the blow by blow drug trips get tediou
An wild, unruly book. Oscar Acosta clears the hell out of Flower Power San Francisco and out onto the open road, flashing back to drug trips, his friends in low places , the daily hell of working poverty law, being among white hippies, and the violence of his poor Mexican upbringing. He doesn't spare you his ulcers, his bodily functions, or what he thinks of his fat, brown body. Some of the writing about women and his heartbreak is wince-worthy. And some of the blow by blow drug trips get tedious. But it is ultimately moving to me that this is a brown man writing head on into all his racial feedback, trying to blast past it to define himself with some kind of brown buffalo pride.
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What a beautiful book. Expertly constructed and fantastically written, Acosta's prose has a mystical flow to it that far surpassed my expectations. I'm almost ashamed that it's taken me this long to track down and read this one.
Looking forward to reading the sequel, Revolt of the Cockroach People, which I think (& hope) deals more with his work as a Chicano civil rights agitator. Autobiography of a Brown Buffalo takes us from Acosta's short and farsical stint at Legal Aid family law practice to his drug/alcohol induced roadtrip through the Midwest and down memory lane. Reaching rock bottom, and gaining better clarity on the complexities of identity in America than his shrink ever gave him, Acosta's journey, spiritu
Looking forward to reading the sequel, Revolt of the Cockroach People, which I think (& hope) deals more with his work as a Chicano civil rights agitator. Autobiography of a Brown Buffalo takes us from Acosta's short and farsical stint at Legal Aid family law practice to his drug/alcohol induced roadtrip through the Midwest and down memory lane. Reaching rock bottom, and gaining better clarity on the complexities of identity in America than his shrink ever gave him, Acosta's journey, spiritual and otherwise is hilarious, debauche, and tender. Only gets four stars though, because of excessively gross dude humor and confusing drug trips.
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I'm a huge fan of Hunter S. Thompson and I knew Oscar Zeta Acosta was the 'Samoan lawyer' in "
Fear and Loathing
in Las Vegas" so I knew I had to read this book eventually.
I was quite pleasantly surprised, this was not the rip off of HST that I expected. Acosta has his own unique voice when writing. I found myself drawn into the character of the "Brown Buffalo," and how he became a hippie and a Chicano activist.
The ultimate search for an identity, that ultimately incomplete without the sequel, The Revolt of the Cockroach People, and left even more incomplete by Oscar Zeta Acosta's untimely disappearance and lack of a third book.
This book is not as good as its sequel - but it is hard to be. Most of this book ventures into a drug-influenced road novel, reality and fantasy struggling. But it starts and ends incredibly strongly and really showcases Acosta's shocking amount of talent and the tragedy that w
The ultimate search for an identity, that ultimately incomplete without the sequel, The Revolt of the Cockroach People, and left even more incomplete by Oscar Zeta Acosta's untimely disappearance and lack of a third book.
This book is not as good as its sequel - but it is hard to be. Most of this book ventures into a drug-influenced road novel, reality and fantasy struggling. But it starts and ends incredibly strongly and really showcases Acosta's shocking amount of talent and the tragedy that was his disappearance.
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Amazing and engaging look into the development of Oscar Zeta Acosta. Hunter S. Thompson makes a late cameo appearance, foreshadowing the delights to come in the sequel. The book follows the author as his world falls apart and he begins a mission to find himself... with the help of booze and drugs of course. Between episodes on his reality bending journey, Acosts sprinkles hellarious snip-its from his childhood to help explain the development into a pseudo-adulthood full of angst and determinatio
Amazing and engaging look into the development of Oscar Zeta Acosta. Hunter S. Thompson makes a late cameo appearance, foreshadowing the delights to come in the sequel. The book follows the author as his world falls apart and he begins a mission to find himself... with the help of booze and drugs of course. Between episodes on his reality bending journey, Acosts sprinkles hellarious snip-its from his childhood to help explain the development into a pseudo-adulthood full of angst and determination. Self-depricating yet inspiring, this book is fantastic all around.
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Recommends it for:
Anyone interested in Mexican American history, the 1960s counter culture or Hunter Thompson
Recommended to Anne by:
ricky
This book is actually fairly important. It is a memoir by a leader in the "brown power" movement in the 1960s, which is something one doesn't hear much about. The author was friends with Hunter Thompson (he's the guy Thompson travels with in FEAR AND LOTHING IN LAS VEGAS). As far as readability goes, the author's sentence structure is a bit difficult, but this became less of a problem as I read more of the book. I'm not sure if that's because I got used to his writing or if his writing improved.
This book is actually fairly important. It is a memoir by a leader in the "brown power" movement in the 1960s, which is something one doesn't hear much about. The author was friends with Hunter Thompson (he's the guy Thompson travels with in FEAR AND LOTHING IN LAS VEGAS). As far as readability goes, the author's sentence structure is a bit difficult, but this became less of a problem as I read more of the book. I'm not sure if that's because I got used to his writing or if his writing improved. All in all, certainly worth my time.
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If you didn't already know, Oscar Acosta is the real-life version of Hunter Thompson's 'attorney' from
Fear and Loathing
in Las Vegas. Acosta was a public defense attorney who was critical in the 'Brown Power' movement in the Sixties and Seventies. And, yes, if you're all wondering: he did partake in massive amounts of drugs and was a wild man. A great read
Fantastic book. Great, underappreciated masterpiece. If you love Hunter Thompson, specifically
Fear and Loathing
in Las Vegas and the character of the Samoan attorney, the author of this book is the real person that character was based on, and an incredible writer on his own merits. Worthy of Thompson and maybe even then some.
In many ways, this book stomps all over any possible comparisons to Hunter S. Thompson. Oscar even makes a claim that his style was stolen from him by Thompson. Whatever the case may be, this is a fiercely brazen little book and it becomes clear that he was without a doubt and charismatic and equally dangerous individual that is deserving of having a reputation all his own out of the shadow of his more famous friend. Highly recommended.
Brown power indeed. It was good to put a voice to Hunter's infamous 'samoan' attorney.
I was most impressed by how honestly and candidly he described not being mexican enough for mexicans and not being american enough for americans. Having to forge an identity instead of relying on one by birth is difficult and maddening and beautiful.
I was reading Hunter S Thompson's 'Gonzo Letters II' concurrently... now somebody pass me the ether.
A set of recent drug adventures interspersed with more lucid episodes from the author's youth. I haven't read
Cockroach People
so it is difficult to gauge whether or not these tales provide the necessary background to understand Acosta's later involvement in the Chicano movement. It is too bad it is difficult to see Acosta except through one's preconceptions of him as HS Thompson's "Samoan" attorney.
a contemporary of hunter thompson, acosta is just a lost in the wake of the sixties and just as into drugs & booze but channels his disaffection into being the house lawyer for chicano activists in los angeles in the early 70s. this and 'revenge of' are great, well-written gonzo pieces but also a really optimistic takes on a period of time where a lot of people where into apathy.
Oscar Zeta Acosta was the radical Latino lawyer upon whom "Dr. Gonzo" in
Fear and Loathing
in Las Vegas
was based. It's easy to see why Thompson found him so compelling, and his work, while spotty and inconsistent, is a pretty fun read.
This author is the Dr. Gonzo of Hunter S. Thompson's
Fear and Loathing
in Las Vegas
. Now you can read the other half of the story, y'know like how they say the Book of Mormon is another testament of Jesus.
An important book in Chicano literature. A fairly uncompromising biography - kind of coming of age - or at least coming into one's own. Well worth the ride. This is The Samoan Attorney from
Fear and Loathing
.
This book took a life of its own! I have mixed feelings about one of the topics touched on, but that comes down to personal experience. Acosta really brought me into his post modern world encouraging me to question societal boundaries in America and how they are changing or if they are changing enough not only based on ethnicity, but on topics allowed to be openly discussed.
(April 8, 1935 – disappeared 1974) was an American attorney, politician, minor novelist and Chicano Movement activist, perhaps best known for his friendship with the American author Hunter S. Thompson, who included him as a character the Samoan Attorney, Dr. Gonzo, in his acclaimed novel Fear and Loathing in Las Vegas.
“I heard the opening bar of 'Help' as I headed down Polk Street. Every single time I've heard that tune I've taken it as some message from God, a warning of things to come, a perfect description of my mashed-potato characterâ€
—
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