Khushwant Singh once told Amrita Pritam that the story of her life was so inconsequential and tiny that it could be written at the back of a revenue stamp. Keeping this joke in mind, Amrita Pritam penned her autobiography and entitled it 'Raseedi Ticket', or The Revenue Stamp.
Paperback
,
170 pages
Published
June 28th 1983
by Stosius Inc/Advent Books Division
(first published 1976)
The book begins like any regular book with amrita pritam “resurrecting time” i.e. narrating her story from the beginning (from her parents ‘premarriage’ days). And in 39 pages encapsulates 41 years of her life highlighting certain events of her personal life as well as the socio-political situation. Till here the book is quite interesting however by the end of the mentioned section she decides to do some ‘people-thrashing’, mainly from the world of ‘Punjabi’ literature (she chooses the word ‘con
The book begins like any regular book with amrita pritam “resurrecting time” i.e. narrating her story from the beginning (from her parents ‘premarriage’ days). And in 39 pages encapsulates 41 years of her life highlighting certain events of her personal life as well as the socio-political situation. Till here the book is quite interesting however by the end of the mentioned section she decides to do some ‘people-thrashing’, mainly from the world of ‘Punjabi’ literature (she chooses the word ‘contemporaries’) who have been unfair to her mainly out of jealousy or one lame reason or the other, one of the major being her reputation as an enchantress (though she assures us that it is completely baseless, however married men and bachelors alike can’t help falling for her ). Initially it was a strong sense of sympathy that I felt but soon enough the entire thing started getting on my nerve. She devotes the next section to ‘literary/cultural exchanges’ i.e. places she visited as a writer representing India, her books that got translated and the ones she translated etcetera. This section apart from the difficult names is very interesting. However shedecides to return to ‘people thrashing’ again in the next part (actually she does it every now and then) and she sways between being subtle and outright mercurial. She also returns to another aspect of her life regularly, Sahir (the love of her life) and Imroz (her life partner) and Sajjad (it’s a ‘complex’ friendship) in that order. The poor first husband Pritam, like her daughter hardly finds any mention in the book. The relationship she shared with these three men are profound and each in its own way very beautiful however Amritaji like many other things overdwells on Sahir a bit too much, she can’t stop gushing about him till a point comes when one starts to think it’s an eulogy on ‘love’s labour lost’ and not an autobiography on amrita pritam. However after Sahir’s death the void left by him is taken up by(and surprisingly so) none-other-than our then Prime Minister Indira Gandhi. Amrita also indulges in moral and philosophical topic throughout the book, the philosophical part ranges from amateur to fathomable to incongruous to abstruse to plain rambling where as her sense of morality is flexible and she is not one to follow the inane rigid social systems, she values honesty and truth over everything else. Perhaps the best part of the book is the writer herself and the dedication and love she has towards art in general and her art( the metaphor of the pen is used numerous times and beautifully, in fact it is her pen is the only ‘thing’ she wants beside her when she dies) in particular. She goes into detailed description of this art, which for her is madness, divine, dreamlike and mundane all at the same time. It is in fact what(according to her) has helped her live through all the crests and troughs of life. No doubt she is an artist par excellence. This is my first encounter with her work however the snippets of her work that impregnates her autobiography are proof of spectacular literally endeavour. I look forward to reading more of her work.
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Also, saw a M. S. Saathyu play based on this book. Play was ok - to me both narrative and the lead actress did not do the justice. They made Amrita seem like a woman who spent all her life in longing and despair of the unattainable.(The book mentions Sahir only about twice or thrice but play pays too much attention to Sahir.) Though love, longing and despair were true - but Amrita's life is much more than that. She was woman who lived on her terms in an age where it was hard to. She was a great
Also, saw a M. S. Saathyu play based on this book. Play was ok - to me both narrative and the lead actress did not do the justice. They made Amrita seem like a woman who spent all her life in longing and despair of the unattainable.(The book mentions Sahir only about twice or thrice but play pays too much attention to Sahir.) Though love, longing and despair were true - but Amrita's life is much more than that. She was woman who lived on her terms in an age where it was hard to. She was a great writer - try reading 'Pinjar' in original - how words can twist your heart, you can learn from there. Amrita was very well-travelled for her time - as a writer she travelled Europe, Asia and so many other countries that may be dots on world map but are indelible marks in world literature.
In the book, you learn about her friendships, relationships interspersed with her verses and thoughts on some characters. Book is actually a collection of snippets from her life. The book title means 'revenue stamp' - it has a famous story behind. Khushwant Singh had told her that your life story can be written on the back of a revenue stamp. As it turned out, Amrita's memoir was one of the most translated books.
Two of her famous poems that I love are 'Ajj aakhan waaris shah noo kiton qabran vichon bol!' and 'mein tennu fir milengi'.
P.S - Khushwant Singh later translated Amrita Pritam's 'Pinjar' and I also found a rude, uncharitable obituary of Amrita Pritam (only one of such kind) by him in Outlook -
http://www.outlookindia.com/article.a...
It is highly amusing.
Raseedi Ticket is a sort of an autobiography of Amrita Pritam. She keeps to the chronology of events more or less. Her story is laid out in a series of episodes that she feels were important in her life. So we hear about how her mother married her father, the genesis of her name, her mother's death, her disillusionment with god at that moment, why she took to writing, when she first met Sahir etc.
Although it does not read like a cohesive story, we do get an idea of what her life was like. She s
Raseedi Ticket is a sort of an autobiography of Amrita Pritam. She keeps to the chronology of events more or less. Her story is laid out in a series of episodes that she feels were important in her life. So we hear about how her mother married her father, the genesis of her name, her mother's death, her disillusionment with god at that moment, why she took to writing, when she first met Sahir etc.
Although it does not read like a cohesive story, we do get an idea of what her life was like. She speaks about her relationship with Sahir, her relationship with the Pakistani writer Sajjad Haider and of course, her dream companion, Imroz. She recounts episodes in her life featuring these men. She is completely honest about how she feels about them, and gives out no sleazy details, just as it should be.
She recounts an incident about Haider. One day at a party Haider was offered a plate of Imarti rather pointedly. His hostess was obviously trying to make a joke about his relationship with Amrita, playing on the similarity between 'Imarti' and 'Amrita'. When the hostess offered the plate of Imarti again, Haider said 'The one you are trying to refer to here, I love her and adore her.' That shut the hostess up.
Then she writes about the incident that gave birth of a lovely song. One evening, after her affair with Sahir was long over, she went with Imroz to see him. They sat till long in the evening, drinking whiskey. After they left, Sahir could not sleep and spent the night drinking pouring whiskey into the three glasses by turn and drinking. That night he wrote his beautiful nazm which were later used in the film "Dooj Ka Chand".
Mehfil se uth jaane walon
tum logon par kya ilzaam
Tum abaad gharon ke wasi
Main awara aur badnaam
mere saathi khali jaam
There are chapters devoted to her dreams and how she believes they are an omen and often a solution to the problems she faced at the time. Her spirituality was eclectic. She believed in Sikhism, sufis of various types, sadhus and sants who were rumoured to have special powers.
She is true to herself as a woman, and believes in telling the truth as she knows it. The few poems and nazms that she showcases in the book are breathtaking. She tells about how she got inspiration to write her famous poem "Ajj Akhan Waris Shah noon". She also talks about the acclaim the poem received all over. In Pakistan, where there is a special festival takes place on the theme of Waris Shah, her poem is recited and enacted to.
Her other poem, "Mata Tripta Da Sapna", ran afoul of the Sikh clergy. They were mortified that anyone could write so about the mother of Guru Nanak. Amrita says that one winter night, she got a phone call from her son. She had run out of a warm razai to hear the phone. Exchanging a few words with her son made her feel warm all over. She remembered what it was like carrying this child in her womb. She was an ordinary woman bearing an ordinary child. What did Mata Tripta feel like carrying a divine baby like Guru Nanak?
She also writes a heartfelt ode to her constant companion Imroz. He gave her space and provided support to her always.
Amrita's prose is poetic and full of metaphors and imagery. I have read some books of hers in the past, but I am afraid I remember little of those. I really need to get a book of her poems and some novels.
It is rather a coincidence that I ordered a book called Women who run with the Wolves, and then read books by authors like Ismat Chugtai, Krishna Sobti and Amrita Pritam. These are women who ran with the wolves. They did not care for the slots that the society had created for women. Their lives and their literature were firmly on the side of women who walked on the wild side.
In their age and times they spoke up for all kinds of women. Most of all, they sympathised with the women who were shunned by the genteel people.
"Within each woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women."
The quote is from the Estes' book, Women who run with the Wolves. In my mind, Chugtai, Pritam and Sobti (and other authors who are ranked right up there with them) were those kind of women. Maybe because of the support they got from their socialist ideology, or from the forum of like-minded people, or their natural instincts, these women broke the societal barriers with their writings.
These women deserve to be read over and over again, and no book lover should have to travel too far to find a book written by them.
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I have researched on this book with a perspective on women writer's predicament in telling the truth of their lives via autobiography....!It is an ideal narration of a girl-child's growth and emergence into a revolutionary thinker and protest writer.
This is the autobiography of famous Punjabi writer Amrita Pritam. I haven't so far read any of her works, though I have read one or two of her poetry before. What is outstanding is her broad mindedness, and a lively outlook towards life, love, friendship and literature. She recollects the kind of attitude she had to face from many other contemporary writers. Perhaps a woman writing openly of her feeling terrified them. Her love for Sahir Ludhianvi and Imroz are very popular. Her recollection of
This is the autobiography of famous Punjabi writer Amrita Pritam. I haven't so far read any of her works, though I have read one or two of her poetry before. What is outstanding is her broad mindedness, and a lively outlook towards life, love, friendship and literature. She recollects the kind of attitude she had to face from many other contemporary writers. Perhaps a woman writing openly of her feeling terrified them. Her love for Sahir Ludhianvi and Imroz are very popular. Her recollection of those friendships that fueled her creativity, nonetheless were very inspiring. One would wish how beautiful it would be to be in company of people who could only speak in the language of art and literature.
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Amrita Pritam takes you into the memory lane of her life. The chapter about her travelling in different parts of Russia, Yugoslavia and Europe is one of my favorites from the book. I think that she is/was among the women who lived an honest life just like their words.
After reading this book I realised her life was not easy. Beautiful glance into her emotional life. True mettle of what makes an author. Overall a very fulfilling read.
awesome book . i love amrita pritam's writings .... awesome lady
परछाइयां बहुत बडी हकीकत होती हैं।
चेहरे भी हकीकत होते हैं। पर कितनी देर ? परछाइयां, जितनी देर तक आप चाहें.....चाहें तो सारी उमर। बरस आते हैं, गुजर जाते हैं, रुकते नहीं, पर कई परछाइयां, जहां कभी रुकती हैं, वहीं रुकी रहती हैं.......
امرتا پریتم کی پہلی کتاب پڑھی ..امید ہے ان کی سوانح حیات سے ان کی مزید تحاریر سمجھنے میں آسانی ہو گی __
جا بجا بہت شکوے کئے اپنے ہم عصر پنجابی ادیبوں اور شعرا کے روئیوں کی لیکن ادبی لحاظ سے ایک منفرد تحریر تھی _
Want to read more of Amrita Pritam's work. This will provide background for better understanding of her work. It seems to be coming straight out of her heart.
aaj akha waris shah noo....is really heart touching.
Amrita Pritam (Punjabi: ਅਮਰਿਤਾ ਪਰੀਤਮ, امریتا پریتم) was considered the first prominent woman Punjabi poet, novelist, and essayist. She was the leading 20th-century poet of the Punjabi language, who is equally loved on both the sides of the India-Pakistan border. With a career spanning over six decades, she produced over 100 books, of poetry, fiction, biographies, essays, a collection of Punjabi fo
Amrita Pritam (Punjabi: ਅਮ੍ਰਿਤਾ ਪ੍ਰੀਤਮ, امریتا پریتم) was considered the first prominent woman Punjabi poet, novelist, and essayist. She was the leading 20th-century poet of the Punjabi language, who is equally loved on both the sides of the India-Pakistan border. With a career spanning over six decades, she produced over 100 books, of poetry, fiction, biographies, essays, a collection of Punjabi folk songs and an autobiography that were translated into several Indian and foreign languages.
She is most remembered for her poignant poem,
Aj Aakhaan Waris Shah Nu
(Today I invoke Waris Shah - "Ode to Waris Shah"), an elegy to the 18th-century Punjabi poet in which she expressed her anguish over massacres during the partition of India in 1947. As a novelist, her most noted work was
Pinjar
(The Skeleton) (1950), in which she created her memorable character, Puro and depicted loss of humanity and ultimate surrender to existential fate. The novel was made into an award-winning eponymous film in 2003.
When British India was partitioned into the independent states of India and Pakistan in 1947, she migrated from Lahore to India, though she remained equally popular in Pakistan throughout her life, as compared to her contemporaries like Mohan Singh and Shiv Kumar Batalvi.
Known as the most important voice for the women in Punjabi literature, in 1956, she became the first woman to win the Sahitya Akademi Award for her magnum opus, a long poem,
Sunehe
(Messages). She received the Bhartiya Jnanpith, one of India's highest literary awards in 1982 for
Kagaz Te Canvas
(The Paper and the Canvas). The Padma Shri came her way in 1969 and finally, Padma Vibhushan, India's second highest civilian award in 2004, and in the same year she was honoured with India's highest literary award, given by the Sahitya Akademi (India's Academy of Letters), the Sahitya Akademi Fellowship given to the "immortals of literature" for lifetime achievement.
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