In the Japanese labor movement of the early twentieth century, no one captured the public imagination as vividly as Osugi Sakae (1885-1923): rebel, anarchist, and martyr. Flamboyant in life, dramatic in death, Osugi came to be seen as a romantic hero fighting the oppressiveness of family and society.
Osugi helped to create this public persona when he published his autobiogr
In the Japanese labor movement of the early twentieth century, no one captured the public imagination as vividly as Osugi Sakae (1885-1923): rebel, anarchist, and martyr. Flamboyant in life, dramatic in death, Osugi came to be seen as a romantic hero fighting the oppressiveness of family and society.
Osugi helped to create this public persona when he published his autobiography (
Jijoden
) in 1921-22. Now available in English for the first time, this work offers a rare glimpse into a Japanese boy's life at the time of the Sino-Japanese (1894-95) and the Russo-Japanese (1904-5) wars. It reveals the innocent—and not-so-innocent—escapades of children in a provincial garrison town and the brutalizing effects of discipline in military preparatory schools. Subsequent chapters follow Osugi to Tokyo, where he discovers the excitement of radical thought and politics.
Byron Marshall rounds out this picture of the early Osugi with a translation of his
Prison Memoirs (Gokuchuki)
, originally published in 1919. This essay, one of the world's great pieces of prison writing, describes in precise detail the daily lives of Japanese prisoners, especially those incarcerated for political crimes.
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Paperback
Published
December 17th 1992
by University of California Press
Well written, although how much of that is Osugi's skill as a writer and how much of that is attributable to the supple translation is questionable. However, while the writing itself is good, Osugi does not delve into the most immediately fascinating aspects of his life: his anarchism, his social activism, his love affairs - in short, all the things that made him famous and infamous.
Far be it from me to say what is worthy in his life and what is not, but it's an account that cuts out the meat o
Well written, although how much of that is Osugi's skill as a writer and how much of that is attributable to the supple translation is questionable. However, while the writing itself is good, Osugi does not delve into the most immediately fascinating aspects of his life: his anarchism, his social activism, his love affairs - in short, all the things that made him famous and infamous.
Far be it from me to say what is worthy in his life and what is not, but it's an account that cuts out the meat of Osugi's life, like an Obama memoir that made no mention of his political aspirations or time as a community organizer. It is informative and enjoyable, but it doesn't answer. It is a book that explains how Osugi Sakae grew up - but the relation between the Osugi Sakae in the book and Osugi Sakae the historical (and oft-romanticized) figure is minimal. The final chapter, the prison memoir, wasn't even part of the original text! One must question what Sakae's intent was, in providing such a de-politicized portrait of himself.
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