Autobiographies: Poems

Autobiographies: Poems

by Alfred Dewitt Corn
     
 

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Since the publication of All Roads at Once in 1976, each of Alfred Corn's books has been praised for embodying an impressively wide range of subjects rendered with great technical skill. Autobiographies is his most surprising achievement to date. It opens with a group of lyric and reflective poems remarkable for their formal control and depth of feeling. There is, for… See more details below

Overview

Since the publication of All Roads at Once in 1976, each of Alfred Corn's books has been praised for embodying an impressively wide range of subjects rendered with great technical skill. Autobiographies is his most surprising achievement to date. It opens with a group of lyric and reflective poems remarkable for their formal control and depth of feeling. There is, for example, a harrowing poem about Dracula told from the viewpoint of a young woman subject to his spell. The poems "Coventry" and "Cannot Be a Tourist" enact moments of recognition in other countries. The narrator's experience of being on his own in New York City after the end of a thirteen-year relationship is explored in "Resolutions" and "La Madeleine," the latter following parallels in the life of Mary Magdalene and Proust's Remembrance of Things Past. "Contemporary Culture and the Letter K" charts twentieth-century experience up to the age of AIDS according to the fortunes of a single letter of the alphabet. The volume's long poem, "1992," is an autobiographical narrative set in many different locations in the United States, with scenes from five decades of the author's life. These are placed beside brief, plangent narratives from imagined lives of a wide cast of characters: a Puerto Rican teenager living in New York, a young woman of the Havasupai tribe, a retired black artist in northern Ohio, a Wisconsin mother visiting a dying relative, a young man serving time for disorderly conduct in a New Hampshire jail. The cumulatively widening and deepening picture of autobiographical and imagined experience provides a vivid and varied account of late twentieth-century America up to the quincentennial year of Columbus's voyage. In decades to come, Autobiographies will be remembered as a bold and innovative turning point in this author's achievement.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Corn ( Incarnation ) writes fluent, civilized, unfailingly well-versed verse. The major feature of his latest collection is ``1992,'' a long poem in 20 sections, all but the last of which juxtapose an autobiographical reminiscence of American travel--often seen in the light of some fledgling or faltering love affair--with a sketch of an imagined stranger whose life and the author's might then have intersected, but did not. This poem, Corn suggests, is made in the spirit of a Calder mobile. It meditates on the unpredictable interplay of self and others--people, places, lives, possibilities--and also has something to do with the exploratory, erratically democratic character of American experience in this, the 500th year since Columbus's arrival in the Americas. How is the obscure burden of the past reflected in the present? Who are we? In considering such questions, Corn's poem is certainly ambitious, but also calculating. His imagined strangers prove for the most part unmemorable American types, and the poem's formal open-endedness can degenerate into gimmickry: the final section is composed of short entries like class notes that catch us up on the characters but break off in mid-sentence. Finally, for all Corn's concern for the limits of identity, there is an unmistakable tone of self-satisfaction in much of what he writes. (Dec.)
Library Journal - Library Journal
The first third of Corn's latest book reinforces his reputation for elegant eloquence, exemplifying the high income-bracket poetry of European locales, learned allusion, and throaty assonance: ``a silken cajolery drolly intoned.'' In ``Contemporary Culture and the Letter K,'' Corn ( The West Door , LJ 3/15/88) cavorts with the consonant's recurrence in modern history, from Kipling to K-Mart (though he misses Kevorkian), while ``La Madeline'' unfolds its eponymic meditations in a nearly fugal pattern. Academic mannerisms fade, however, in ``1992,'' a 60-page journey through the American mosaic in which Corn sets out ``the content of the world that is my case.'' Knit by the poet's autobiography ``on-the-road'' (``Even now I dread these unmasked statements'') is a series of finely drawn vignettes illuminating the lives of men and women from a spectrum of regions, races, and economic circumstances. Beside these, the poet's own self-indulgences prove disappointingly monochromatic.-- Fred Muratori, Cornell Univ. Lib., Ithaca, N.Y.

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Product Details

ISBN-13:
9780140586909
Publisher:
Penguin Publishing Group
Publication date:
04/01/1993
Series:
Poets, Penguin Series
Pages:
128
Product dimensions:
7.00(w) x 5.00(h) x 1.00(d)

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